Life in the Slow Lane

Contemplating life, faith, words, and memories

Guest Post | Belinda Nicoll Presents The Big Picture — October 29, 2013

Guest Post | Belinda Nicoll Presents The Big Picture

It is my pleasure today to welcome Belinda Nicoll, memoir writer and author of Out of Synch. Belinda will share with us her thoughts on the “big picture” as it relates to the process of writing to heal. Please join with me in welcoming Belinda to Healing by Writing.

The Big Picture

by Belinda Nicoll

Apropos the mission statement of her blog and the writing goal of my host, Sherrey Meyer, the notion of healing through the arts go way back and has become firmly entrenched in modern society. The written word—keeping a journal, or writing memoir or poetry—is an obvious channel through which to explore emotional and psychological distress due to childhood abuse, the break-up of a significant relationship and overcoming a life-threatening disease, as well as reflecting on traumatic events, such as acts of violence, terrorism and war. Painting, sculpture, architecture, music, drama and dance are also effective means of self-expression and healing. Self-development courses and healing workshops that draw on the arts help to engage the imagination, alleviate anxiety, and provide a space for mindful expression and meaningful interactions and communication.

In 2001, when my new husband and I relocated from South Africa for a short stay in the US, we had no idea that our arrival at JFK International Airport on September 11th would coincide with a terrorist attack on our host country. Neither did we know that the event would be the indirect cause of a permanent separation from our families due to our unavoidable expatriation, the near break-up of our marriage and the end of my income-generating days. It would take many years and several relocations before realizing that the dysfunctional aspects of my new life were really also symptoms of Post-traumatic Stress Disorder (PTSD). Feeling overwhelmed by a sense of not belonging, and seeing that I had a background in writing and life coaching, it made sense to write a book about my expatriation and its impact on my relationships. My memoir, Out of Sync, soon became an exploration of the concept of personal transformation within the context of global change. In the end, I understood that the forces of change affecting me and the world were destined to collide, and that I’m not really adrift but part of an increasingly transient world.

On this note, while ‘transitory existence’ relates to the human condition, the written word, once published, becomes everlasting. As writers, we need to be mindful of the effect our work could have on others, especially those close to us—even if you’re writing for the purpose of healing, your experiences never take place in isolation but in the context of a shared world. I worked on my book fully aware that my perception of our marriage ran counter to my husband’s opinions of our situation; in fact, the disparity of our ex-pat experiences was really at the heart of our troubles. I decided to explore the dynamics of our roller-coaster relationship with an open mind and reflect on it as honestly yet responsibly as I could. On another level, my children were important characters in the drama too and I was already feeling alienated from them. While it was important to acknowledge my pain and get clarity on my issues through my writing, I also wanted my story to be constructive within the context of my relationships as well as be relevant to world events.

That said, writing for healing is a process and your first priority is to get in touch with your deepest thoughts and feelings and let those flow freely—this is called expressive writing. Later, when you feel less anxious or depressed and have a better grasp of your issues, you might want to take a step back and view all that within a broader frame of reference—this is referred to as the big picture: the entire perspective on a situation that reflects repetitive patterns, main themes, cause and effect, how your values fit (or not) with those of significant others. You could also think of it as content vs. context. Remember, if self-expression has healing powers, then imagine opening your mind and heart not only to what is deep inside but choosing your words carefully and with the intention of benefiting others too.

I believe the arts have the power to change the world in a positive way. What about you—what are your reasons for writing?

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Belinda, thank you for sharing with us your own personal life story and writing experiences. Most importantly, thank you for sharing your expertise as a writer and creativity coach and how you perceive writing benefits the healing process.

Author Bio:

Belinda Nicoll is originally from South Africa and has been a citizen of the United States since 2010. She holds a BA degree in Communication and Sociology and an MFA in Creative Writing. Belinda is a freelance writer and creativity coach. She is currently working on a creative writing guide as well as her first novel. Belinda is also an active blogger who offers creative writing tips and helps other writers promote their books—her current blog series is on Goal-setting in Creative Writing—on that note, she says: Not only do goals motivate WRITERS to be productive and creative but they inspire the actions of STORY CHARACTERS too.

Belinda’s book is available on Amazon.

A Review of Blush: A Mennonite Girl Meets the Glittering World by Shirley Hershey Showalter — October 24, 2013

A Review of Blush: A Mennonite Girl Meets the Glittering World by Shirley Hershey Showalter

 

Today at Found Between thBlush (2017_07_22 20_37_13 UTC)e Covers I posted my review of Shirley Hershey Showalter’s memoir, Blush: A Mennonite Girl Meets the Glittering World. I thoroughly enjoyed reading Shirley’s stories and learning more about the Mennonite Church and community. Come on over and read for yourself!

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Synopsis:

“I promise: you will be transported,” says Bill Moyers of this memoir. Part Mennonite in a Little Black Dress, part Growing Up Amish, and part Little House on the Prairie, this book evokes a lost time, in Lancaster County, Pennsylvania, when a sheltered little girl with big dreams entered a family and church caught up in the midst of the cultural changes of the 1950’s and ‘60’s. With gentle humor and clear-eyed affection the author, who grew up to become a college president, tells the story of her first encounters with the “glittering world” and her desire for “fancy” forbidden things she could see but not touch.

The reader enters a plain Mennonite Church building, walks through the meadow, makes sweet and sour feasts in the kitchen and watches the little girl grow up. Along the way, five other children enter the family, one baby sister dies, the family moves to the “home place.” The major decisions, whether to join the church, and whether to leave home and become the first person in her family to attend college, will have the reader rooting for the girl to break a new path. In the tradition of Jill Ker Conway’s The Road to Coorain, this book details the formation of a future leader who does not yet know she’s being prepared to stand up to power and to find her own voice.

Please follow me over to Found Between the Covers to read more . . .

Mourning the Past — A Future Blossoms | A Guest Post by Susan Weidener — October 22, 2013

Mourning the Past — A Future Blossoms | A Guest Post by Susan Weidener

Today I welcome Susan Weidener, memoir writer and author of Again in a Heartbeat and Morning at Wellington Square. Susan has graciously agreed to share her thoughts on coping with grief and the healing benefits of writing.

Please join me in welcoming Susan to Healing by Writing.

Susan at Longwood

Mourning the Past – A Future Blossoms

By Susan G. Weidener

When Sherrey asked if I would write about my coping skills during the difficult days, months and years after my husband John Cavalieri died – and the benefits derived from writing my story, I admit it felt a bit personal to go down that road again.  But that’s what we memoir writers do – we bare our souls, opening a window into our most private thoughts, desires, and dreams, fears and frailties.

When a woman suddenly becomes head of household like I did, she faces an uphill climb.  I had two sons ages 7 and 11 to raise, a fulltime high-pressure job and a mortgage.  My father, Andrew Weidener, died seven months after my husband.  Dad, like John, had been a guiding light in my life, which up until the time John was diagnosed with terminal cancer, had been fairly smooth and uneventful.  My father’s death rippled out into the larger currents and I began feeling like the survivor of a ship wreck. My mother, who had been diagnosed with anxiety disorders in her mid-40s, could not cope on her own as a widow and needed round-the-clock care.   I became her caretaker, finding the best assisted living facility for her needs, being hands on with the nursing staff, making decisions with her doctors about her treatment for dementia and Parkinson’s, and managing her finances, albeit with the help of a wonderful investment advisor.

I truly believe it is the memory of those we loved – and who loved us – that keeps us moving forward, putting one foot in front of the other, one day at a time.  As I wrote in Again in a Heartbeat, a memoir of love, loss and dating again, memories of John and my father helped me realize that the confidence to manage life on my own was due in large part to their belief in me as a woman.

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I don’t know what propelled me to write about John and our marriage and his illness. I just began one morning at a summer writing retreat in Kentucky.  It must have been a form of therapy, as much as creative expression, because I found it immensely satisfying to begin the task each morning of taking significant events and turning them into narrative form. The year before I had left behind my career at the newspaper and it had been 13 years since John’s death.  The timing was right, which is so important to any writer hoping to find a compelling story.  Your heart has to be invested in your story.

I was really working my way through grief, one painful step at a time . . .  John holding me in his arms, John cradling our new baby, our son crying at his father’s hospital bedside, my own desperate attempts to quickly patch up our broken family by finding someone to love me again.

Writing as a way to heal?  I hadn’t even heard of that or realized I was doing it until I got halfway through my memoir.  Then a friend suggested I read Louise DeSalvo’s Writing as a Way of Healing and that was the first time I heard the expression. Her book opened me up to all the possibilities inherent in memoir.

The benefits derived from writing my story were many:

  • It was a way to come to terms with why I hadn’t been a better wife to John at the end of his life.  So a huge benefit of writing is self-discovery.
  • As a friend told me when she read my story – “you were not just mourning John, but mourning your lost dreams, your youth.”   That acknowledgment allowed me to forgive myself.
  • In the months after John’s death, I journaled my thoughts in a small reporter’s notebook.  The notes proved invaluable later when I went back to reconstructing that time for my memoir as they provided a raw look into a wounded heart.
  • Writing is living twice.  It takes us back to those times, to that person and in some ways – and I mean this seriously, it is a form of entertainment.  Writing allowed me an escape from the reality of the moment.  I could go back to a happier time, one filled with joy and expectation as I wrote of the days when I met and fell in love with my husband.
  • I was a journalist at the time of my husband’s death, so writing was something I did on a daily basis and loved to do.  I needed to continue writing after I left the newspaper. By writing a book, I could continue to develop and hone my skills and passion as a writer.
  • Through the testimony that is memoir, we are opened to sharing, making new connections and giving others the courage to write their stories. I certainly found this to be true.
  • By creating a writing group, which became the Women’s Writing Circle, I found the support and validation that writing my story mattered.  This encouraged others to write their own stories and led to new opportunities; editing, become a writing coach and offering writing workshops and retreats.  By mourning the past, a future had blossomed.

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Thank you, Susan, for your willingness to step back once more to a time so painful and share with us what you found yourself capable of doing in order to heal and live again.

Author Bio:

An author, editor and former journalist with The Philadelphia Inquirer, Susan leads writing workshops and started the Women’s Writing Circle, www.susanweidener.com a support and critique group for writers in suburban Philadelphia. Susan is the author of two memoirs, Again in a Heartbeat, which is about being widowed at a young age, and its sequel, Morning at Wellington Square, a woman’s search for passion and renewal in middle age. Susan is interested in how women can find their voice through writing and storytelling.  Her most recent work appears in an anthology of stories about women’s changing and challenging roles in society called Slants of Light.  Susan lives in Chester Springs, Pennsylvania.

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